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Art is often considered most serious when it is also faintly miserable. The gallery has perfected the art of making people feel underqualified. Even anti-capitalist art circulates quite comfortably within capitalist systems. Too much still depends on whether the right person calls it clever, strange, or collectible. The less certain people are about what a work means, the more moving they may find it. Feminist art is still asked to explain itself in ways other art rarely is. A surprising number of people leave galleries convinced the artist was the least skilled person in the room.

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